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Then Geoffrey offers Mona his hand, and leads her to the centre of the polished floor. There they salute each other in a rather Grandisonian fashion, and then separate. Ashamed of his vehemence, he stoops, and, raising the will from the ground, presents it to her courteously. "Take it: it is yours," he says. Mona closes her fingers on it vigorously, and by a last effort of grace suppresses the sigh of relief that rises from her heart. Yet Nature, sooner or later, must assert itself; and after a day or two a ringing laugh breaks from her, or a merry jest, that does Geoffrey's heart good, and brings an answering laugh and jest to the lips of her new brothers..
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"Perhaps you would rather rest for a while. Do you know this is the first time I have ever been inside the Towers?" He says this as one might who is desirous of making conversation, yet there is a covert meaning in his tone. Mona is silent. To her it seems a base thing that he should have accepted the invitation at all. "Now, hurry, Bridget," says Mona's low soft voice,—that "excellent thing in woman." "Don't be any time. Just give that to Kitty, and say one prayer, and be back in ten minutes." "So glad you have come," says Lady Rodney, in a tone that belies her words, and in a sweet silvery voice that chills the heart of her listener. "We hardly thought we should see you so soon, the trains here are so unpunctual. I hope the carriage was in time?" Mona, sinking languidly into a chair, turns the note over and over between her fingers, whilst wondering in a disjointed fashion as to whom it can be from. She guesses vaguely at the writer of it, as people will when they know a touch of the hand and a single glance can solve the mystery..
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